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Tingari, Jeremiah West Tjakamarra (#1614)
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| Aboriginal Art Gallery ILGA |
| WWW: | www.aboriginal-artgallery.com |
| Category: | Acrylic |
| Region: | Zuid-Holland |
City: | Rotterdam |
| Size: | 91x91cm |
Weight: | kgs |
| Price: | N/A (EUR) | | |
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This painting depicts designs associated with the swamp and rockhole site of Kiwirrkura, near the Pollock House in Western Australia. In mythological times a large group of Tingari Men camped at this site before travelling further east, passing through Tarkul and later Wilkinkarra (Lake Mackay).
While the men were camped near Kiwirrkura they spun hair string which is then used to make hair belts which are worn during ceremonies. Since events associated with the Tingari Cycle are of a secret nature no further detail was given.
Generally, the Tingari are a group of ancestral beings of the Dreaming who travelled over vast stretches of the country, performing rituals and creating and shaping particular sites.
The Tingari men were usually followed by Tingari women and were accompanied by novices, and their travels and adventures are enshrined in a number of song cycles. These ancestral stones form part of the teachings of the post initiatory youths today as well as providing explanations for contemporary customs.
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This painting depicts designs associated with the swamp and rockhole site of Kiwirrkura, near the Pollock House in Western Australia. In mythological times a large group of Tingari Men camped at this site before travelling further east, passing through Tarkul and later Wilkinkarra (Lake Mackay).
While the men were camped near Kiwirrkura they spun hair string which is then used to make hair belts which are worn during ceremonies. Since events associated with the Tingari Cycle are of a secret nature no further detail was given.
Generally, the Tingari are a group of ancestral beings of the Dreaming who travelled over vast stretches of the country, performing rituals and creating and shaping particular sites.
The Tingari men were usually followed by Tingari women and were accompanied by novices, and their travels and adventures are enshrined in a number of song cycles. These ancestral stones form part of the teachings of the post initiatory youths today as well as providing explanations for contemporary customs.
Other Items by Aboriginal Art Gallery ILGA  *Art Routes - N/A (EUR) Balanged, Churchill Cann |  *Art Routes - N/A (EUR) Kevin Waina, Gwion Gwion (Bradshaw) Rock Art |  *Art Routes - N/A (EUR) Kevin Waina, Gwion Gwion (Bradshaw) Rock Art II | | |  *Art Routes - N/A (EUR) Waterholes Mirriuwong Country by Ju Ju Wilson |  Acrylic - N/A (EUR) Piltardi, Tjinkuma Wells |  Acrylic - N/A (EUR) Tingari, Joseph Tjangala Zimran | | |  Acrylic - N/A (EUR) Waterhole Dreaming, Elizabeth Marks Nakamarra |  Acrylic - N/A (EUR) Caterpillar Dreaming, Ungakini Tjangala |  Acrylic - N/A (EUR) Rockhole Dreaming, Tatali Napurrula | | |  Acrylic - N/A (EUR) Caterpillar Dreaming, Ungakini Tjangala |  Acrylic - N/A (EUR) Caterpillar Dreaming, Ungakini Tjangala |  Acrylic - N/A (EUR) Mina Mina Dreaming, Betsy Napangardi Lewis | | |  Acrylic - N/A (EUR) Malilanya, Renita Stanley |  Acrylic - N/A (EUR) Snake Vine Dreaming, Tess Napaljarri Ross |  Acrylic - N/A (EUR) Rockhole Dreaming, Elizabeth Marks Nakamarra | | |  Acrylic - N/A (EUR) Bush Carrot Dreaming, Bessie Nakamarra Sims |  Acrylic - N/A (EUR) Women Ceremonie, Pantjiya Nungurrayi |  Acrylic - N/A (EUR) Bush Tomato Dreaming, Liddy Napanangka Walker | | |  Other - N/A (EUR) Turner River Country, June Peters |  Other - N/A (EUR) The Junction, June Peters |  Other - N/A (EUR) Dillon Spring, June Peters | | | |
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